{"id":7259,"date":"2018-03-06T21:44:41","date_gmt":"2018-03-07T05:44:41","guid":{"rendered":"http:\/\/maelstromcore.com\/?p=7259"},"modified":"2018-03-07T13:33:37","modified_gmt":"2018-03-07T21:33:37","slug":"basic-terminology-fma","status":"publish","type":"post","link":"http:\/\/maelstromcore.com\/?p=7259","title":{"rendered":"Basic Terminology: FMA"},"content":{"rendered":"<p>&#8220;So we\u00a0start with a number one <em>florete<\/em> and a number two <em>florete<\/em> both with <em>pekiti<\/em>\u00a0footwork.&#8221;<br \/>\n&#8230;<br \/>\n&#8220;Now you can follow a closed top triangle to move from <em>medio<\/em> to <em>corto<\/em>, and hit with the <em>punyo<\/em>.&#8221;<br \/>\n&#8230;<br \/>\n&#8220;Excuse me, <em>guro<\/em>,\u00a0should I be feeding in this drill in\u00a0<em>saksak<\/em> or <em>pakol<\/em>?&#8221;<\/p>\n<hr \/>\n<p>To begin learning a new domain a student must learn a new vocabulary. The Filipino Martial Arts are no exception and the diversity found in the Philippines in terms of language and culture (many indigenous dialects and ethnic groups, plus a strong Spanish influence during the Colonial period) often yields the first challenge for a new student. Below is a list of some of the terms a student may encounter at Maelstrom in the process of learning the various disciplines that fall under the wide umbrella of &#8220;Filipino Martial Arts&#8221;.<\/p>\n<p>Please note: this list is, by its very nature, incomplete. It is for reference only, and should not be viewed as an authoritative source for either meaning or spelling.<\/p>\n<p><strong>abecedario<\/strong>\u00a0&#8211; ABCs (the basics); usually a set of twelve attacks with a given weapon<br \/>\n<strong>alphabeto<\/strong> &#8211; weapons forms that mimic the shape of letters of the alphabet<br \/>\n<strong>asymmetric drill<\/strong>\u00a0&#8211; any partner drill where the practitioners perform different movements in sequence (often attack vs defense; e.g. &#8220;<strong>DAKUP Y PUNYO<\/strong>&#8220;)<br \/>\n<strong>baston<\/strong>\u00a0&#8211; stick<br \/>\n<strong>closed top triangle<\/strong>\u00a0&#8211; a triangle drawn with the &#8220;point&#8221; up (for describing a striking pattern)<br \/>\n<strong>corto<\/strong>\u00a0&#8211; short range<br \/>\n<strong>daga<\/strong>\u00a0&#8211; dagger<br \/>\n<strong>dakup y punyo<\/strong>\u00a0&#8211; an\u00a0<strong>ASYMMETRIC DRILL<\/strong>\u00a0for partners who take turns with a pattern of two attacks and a defense, followed by two defenses and an attack<br \/>\n<strong>doble baston<\/strong>\u00a0&#8211; double stick<br \/>\n<strong>doblete<\/strong>\u00a0&#8211; a double strike; two strikes on the same plane with either\u00a0<strong>BASTON<\/strong>\u00a0or\u00a0<strong>ESPADA<\/strong><br \/>\n<strong>espada<\/strong>\u00a0&#8211; sword<br \/>\n<strong>espada y daga<\/strong>\u00a0&#8211; sword and dagger<br \/>\n<strong>feed<\/strong>\u00a0&#8211; to supply a technique so your partner may practice something (&#8220;I&#8217;ll feed a number one strike.&#8221;)<br \/>\n<strong>florete<\/strong>\u00a0&#8211; a strike with the\u00a0back\u00a0of a weapon followed by a &#8220;cutting&#8221; strike on the same plane with either\u00a0<strong>BASTON<\/strong>\u00a0or\u00a0<strong>ESPADA<\/strong><br \/>\n<strong>forward triangle<\/strong> &#8211; a triangle drawn with the &#8220;point&#8221; forward (for describing footwork)<br \/>\n<strong>galang<\/strong>\u00a0&#8211; respect<br \/>\n<strong>ginunting<\/strong>\u00a0&#8211; a short sword with a &#8220;forward leaning&#8221; blade<br \/>\n<strong>gunting<\/strong>\u00a0&#8211; a defensive scissoring motion done with both arms.<br \/>\n<strong>guro<\/strong>\u00a0&#8211; teacher<br \/>\n<strong>largo<\/strong>\u00a0&#8211; long range (stick-to-hand contact)<br \/>\n<strong>medio<\/strong>\u00a0&#8211; medium range (stick-to-body contact)<br \/>\n<strong>open top triangle<\/strong>\u00a0&#8211; a triangle drawn with the &#8220;point&#8221; down (for describing a striking pattern)<br \/>\n<strong>open triangle<\/strong> &#8211; a triangle drawn with the &#8220;point&#8221; behind (for describing footwork)<br \/>\n<strong>pakal<\/strong>\u00a0&#8211; holding a weapon\u00a0as when using an ice pick<br \/>\n<strong>pekiti tirsia<\/strong>\u00a0&#8211; &#8220;close range&#8221; or &#8220;close quarters&#8221; or &#8220;to cut into pieces at close range&#8221;<br \/>\n<strong>punyo<\/strong>\u00a0&#8211; the protruding &#8220;short&#8221; end of any weapon held in the hand (aka &#8220;the butt end&#8221;)<br \/>\n<strong>redondo<\/strong>\u00a0&#8211; a circular strike accomplished mainly through elbow rotation<br \/>\n<strong>saksak<\/strong>\u00a0&#8211; holding a\u00a0weapon as when using a hammer<br \/>\n<strong>sinawali<\/strong>\u00a0&#8211; &#8220;to weave&#8221;, a continuous circling motion, often as part of a\u00a0<strong>SYMMETRIC DRILL<\/strong><br \/>\n<strong>symmetric drill<\/strong>\u00a0&#8211; any partner drill where both practitioners perform the same movements at the same time; e.g.<strong>\u00a0SINAWALI<\/strong><br \/>\n<strong>witik<\/strong>\u00a0&#8211; a strike with a\u00a0<strong>BASTON<\/strong>\u00a0or\u00a0<strong>ESPADA<\/strong>\u00a0accomplished mainly through wrist rotation<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;So we\u00a0start with a number one florete and a number two florete both with pekiti\u00a0footwork.&#8221; &#8230; &#8220;Now you can follow a closed top triangle to move from medio to corto, and hit with the punyo.&#8221; &#8230; &#8220;Excuse me, guro,\u00a0should I be feeding in this drill in\u00a0saksak or pakol?&#8221; To begin learning a new domain a student must learn a new vocabulary. The Filipino Martial Arts are no exception and the diversity found in the Philippines in terms of language and culture (many indigenous dialects and ethnic groups, plus a strong&nbsp;<a href=\"http:\/\/maelstromcore.com\/?p=7259\" class=\"read-more\">Continue Reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":1900,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"_links_to":"","_links_to_target":""},"categories":[63,5],"tags":[64,138],"_links":{"self":[{"href":"http:\/\/maelstromcore.com\/index.php?rest_route=\/wp\/v2\/posts\/7259"}],"collection":[{"href":"http:\/\/maelstromcore.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/maelstromcore.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/maelstromcore.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/maelstromcore.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7259"}],"version-history":[{"count":5,"href":"http:\/\/maelstromcore.com\/index.php?rest_route=\/wp\/v2\/posts\/7259\/revisions"}],"predecessor-version":[{"id":7264,"href":"http:\/\/maelstromcore.com\/index.php?rest_route=\/wp\/v2\/posts\/7259\/revisions\/7264"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/maelstromcore.com\/index.php?rest_route=\/wp\/v2\/media\/1900"}],"wp:attachment":[{"href":"http:\/\/maelstromcore.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/maelstromcore.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7259"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/maelstromcore.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}